Counterpointer's student file is the same type as those used by Practica Musica: if you are already a Practica Musica student you can use the same student file to do work in Counterpointer, and your exercise scores will be added to those earned in Practica Musica.
#PRACTICA MUSICA REALIZING FIGURED BASS MANUAL#
An onscreen manual offering a basic introduction to counterpoint and explanations of each ruleĬompositions can be saved, heard, printed, and exported as MIDI files. Free composition in 2-8 voices using your own choice of style rules Exercises in realizing figured bass in 4-part vocal harmony (harmony and bass from Bach examples) Monteverdis term for practice of counterpoint and composition that allows the rules of 16th century counterpoint to be broken in order to. Exercises in realizing Roman numerals in 4-part vocal harmony (harmony based on Bach examples) If you would like MyMusicTheory to mark your figured bass exercises, find out about our marking services here. The answers given are suggestions - there are many possible answers to these exercises.
so considered rules for writing counterpoint or realizing a figured bass, for instance. Grade Six Music Theory A10: Realising a Figured Bass - Exercises Write out soprano, alto and tenor parts according to the given figured bass. Species exercises based on generated c.f.s that are always new Figure 6.1 Ramiss monochord division in Musica practica 1.1.2. Species exercises based on the Fux examples (2, 3, and 4 parts)
Warning: no index of suggested realizations (except a handful in the first few chapters), so make sure you're quite proficient at realizing figured bass before working from these.
#PRACTICA MUSICA REALIZING FIGURED BASS SOFTWARE#
Counterpointer is the first software ever to offer evaluation of both species and free counterpoint, and can serve both as a self-contained introduction to counterpoint and as a tool to accompany counterpoint textbooks.Ĭounterpointer includes notation tools for entering and saving music and more than 150 user-controllable style rules. Though I am a fan of the outmoded C-clefs, Renwick gracefully converted everything to modern (treble/bass clef) notation, making it more approachable.
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